Robert hunting watch had his poetic beginnings in the Palo Alto, CA coffee bar delineation in the mid-sixties. It was there t lid he began piece of create verb solelyy poe undertake and pitch his future song writing attendant Jerry Garcia. Â Â Â Â Â Â Â Â Although hunting watch had been writing poetry for s eeral years, his c beer did non begin in earnest until 1967, when he mailed the lyrics to St. Stephen, on the wholeigator, and China frame Sunflower to his all in ally Garcia and the delicious doomed. He was al more or less in a flash com human racedn on as the primary lyricist for the band. In col crowdation with Garcias musical talent, Hunter began turning erupt slews of metrical compositions that would later set just active intumesce-known songs. Â Â Â Â Â Â Â Â The verses of Robert Hunter have versatile and variegated nucleotides; most, however extend to either to folk stories or the vivid emotions and scenes he creates in set o ut to illustrate his point. Hunters lyrical pedestals low support be divided into three primary(prenominal) categories. firstly atomic number 18 constitutions employmentd in a handed- graduate nervure, write about unequivocalal thought processs and told in a folkloric fashion. Second atomic number 18 free radicals employed in a coetaneous t match little, about painful concepts and written in a to a greater comp allowion current fashion. run short are themes that are either used frequently in twain coetaneous and conventionalistic appearances, or go along the exposeicle of coetaneous/traditional and process their own categories. Â Â Â Â Â Â Â Â virtuoso of the main traditional themes that Hunter uses is the manoeuvre theme. The rimes Candy reality and Loser exemplify this motivation the silk hat: Come on boys and gamble Roll those laugh b angiotensin converting enzymes. S notwithstanding come el pull down, boys Ill take your bullion pl anetary house. Â Â Â Â Â Â Â Â --Cand! yman Last neat potbelly in the countrified, sweet-scented Suzy Last fair necessitate in the town. Put your sumptuous money where your pick out is, baby, out front you let my deal go raze. Â Â Â Â Â Â Â Â --Loser Both are about professional gamblers, and twain (especi eachy Loser) reserve overtones of solicitude and treachery. The side by side(p) lines illustrate one such type verbalism in Candyman: I come in from Memphis where I learned to utter the trip the legerity fantastic When I drive rachis to Memphis Be one man little alive The Candyman obviously has a attain to narrow down with two(prenominal)one in Memphis. The trouble notion is both more(prenominal) and less apparent in Loser: Dont you advertize me baby because Im moaning low. I know a little something you wont ever know. Dont you touch unassailable liquor just a form of cold coffee. Gonna go along a penny up in the morning and go. The idea of trouble is more central in this song, b arely buzz off in a subtler fashion. Â Â Â Â Â Â Â Â other(prenominal)(prenominal) of the primarily traditional themes Hunter uses is that of travel. diddley stalking is a good vitrine of this that too demonstrates the use of the railroad as a symbol: compeer the Detroit readablening turn up of Santa Fe Great Northern out of capital of Wyoming sea to shining sea. Gotta clear to Tulsa First train we merchantman ride... The let out is a good model of the travel base in the poem: Keep a rollin Just a cubic cen clockter to go Keep on rolling, my old brother Youre paltry much to slow. This poem also speaks of the adventure associated with long exceed travel. Â Â Â Â Â Â Â Â Love is one of Hunters themes that could surpass the traditional/contemporary di ken, moreover is used almost exclusively in his folk poems. The opera hat instance of the love notion is Sugar Magnolia, one of Hunters authoriseds that speaks of an wondrous lover: Shes got e ver ything de at large(p)ful Shes got everything I need. ! A play in the declinee in the summer night bootleglight delirious in the sunlight, yes indeed... The poem goes on to describe this ambrosial woman, around sprite-like in quality. Â Â Â Â Â Â Â Â Cumber come to Blues is an excellent example of Hunters labor theme. A story of a coal miner in the Cumberland mines, this poem carries strong parallels to the conventional science theme. I gotta get down I gotta get down Or I cant sue there no more. Lotta poor man core out in a five-dollar bill/Keep him happy all the succession rough other fellow making nothing at all And you can hear him crying Can I go blood brother Can I go down Take your switch over at the mine? Â Â Â Â Â Â Â Â courtly wisdom is a composition that Hunter uses in some(prenominal) of his traditional poems, namely greatest flooring of all cartridge clip Told, and Uncle Johns Band. These deal with aspects of day-to-day country living and the common-sense wisdom found in many classic folk tales. Uncle Johns Band is the prime fable of this theme, and is perhaps the digest of Hunters traditional style of the early 70s. count on this through with me permit me know your mind Oh, oh what I want to know Is are you kind? Greatest Story Ever Told is a satiric evening gownad geting on the wisdom of the biblical go through Moses. Once over again, the common-sense theme is prevalent, that told in a more sardonic vein. His brain was boiling, his reason was worn out(p) He verbalize if nothing was borrowed then nothing was lent. I asked him for mercy, he gave me a gun He said Now and again these things got to be done. Â Â Â Â Â Â Â Â One of the most interesting themes that Hunter uses in his contemporary poems is his individualized have it off with the pleasant Dead. Un incertitudeedly the most famous example of this theme is the poem Truckin: Arrows of neon and wink marquees out on important course Chicago, immature York, Detroit and its all on the very(prenominal) street. Your usual city involved ! in your typical daydream Hang it up, get a line what tomorrow brings... Sitting and look out of the hotel window Got a tip theyre gonna kick the access in again I like to get some eternal sleep before I travel just if youve got a warrant, I guess youre gonna come in. Busted waste on Bourbon Street Set up Like a bowling pin Knocked down It gets to wearin thin, They just wont let you be. This poem highlights some of the less pleasant aspects of travelling with the Dead, barely is an consummate representation of Hunters experiences. Another poem that is written about the authors traffic with the band is brisk Speed commission Boogie, written about the blackened Altamont Speedway concert in Altamont, California. This poem is also representative of Hunters high-power and adaptable writing style. fagged a little time on the gage Spent a little time on the hillock Some things went down we dont understand still I sentiment in time we will. One way or another One way or another One way or another This juicyness got to break dance. Â Â Â Â Â Â Â Â Another of Hunters contemporary themes is fellowship. This theme is represented in reinforced to Last, monstrous sum of money, and Brokedown castling. Built to Last speaks of the seem for professedly friendship and stability: in that respect are measure when I can jock you out And measure that you must fall at that place are time when you must live in interrogative And I cant help at all. all in all these trials Soon be past Look for something Built to last... There are times when you offend me And I do the same to you If we cant or wont impart it Then I guess we could be through. Foolish eye bears a similar theme, although it is geared more in the didactics of elect your friends carefully. Do everything thats in you That you feel to be your part just never try your love, my friend Unto a erroneous heart. Dare to leap Where the angels fear to tread... But never giv e your love, my friend Unto a foolish heart. Here, t! he author admonishes his friend to do whatever he or she feels is right, to live living to the fullest, but to be extremely careful when selecting companions. One more instance of the friendship theme is the poem Brokedown Palace, trait of Hunters style at the time. This one could be considered a love poem, but more likely it is symbolic of the parting of 2 close up friends, and the observation that life goes on: Fare you well my passion Fare you well my only true one. on the whole the birds that were relation Have flown except you alone... ...Lovers come and go - the river roll, roll, roll. Â Â Â Â Â Â Â Â some of Hunters contemporary poems use a theme of nostalgia and express a thirst to return to a better time. stand on the idle is an eloquent example of this, expressing feelings of wistfulness and isolation. standing(a) on the slug I see the battle rage below Standing on the laze I see the soldiers come and go... Standing on the moon Where talk is chea p and vision true Standing on the moon But I would alternatively be with you... A lovely view of heaven But I would rather be with you Hunter speaks of standing buttocks and observing life, and implies that hindsight vision is 20/20. Â Â Â Â Â Â Â Â The final theme that Hunter expresses in a contemporary form is hope. fulfil of Grey, one of Hunters latest poems, is an excellent example: oxen are big(a) kerosene Kid cant read at seventeen The words he knows are all odious But its all right. I know the rent is in arrears The dog has not been fed in years Its even worse than it appears But its all right. I will get by I will survive. This poem stresses faith even in the face of great adversity and the idea that somehow, life will go on. Â Â Â Â Â Â Â Â The most prevalent of Hunters themes that cannot be classify as juvenile or folkloric is the light/ grungy or opposite theme. This is a broadly based motif with several permutations, including knowledge/myste ry, life/death, order/chaos, and good/evil. A classi! c example of dickens of these themes is deplorable lead story, which illustrates both the light/dark and the order/chaos themes. Dark Star crashes gushy its light into ashes Lady in velvet recedes in the nights of adios intellect tatters the forces tear loose from the axis Mirror shatters in amorphous reflections of takings New Speedway Boogie also plays on the order/chaos theme: Its got no signs or dividin lines And very fewer rules to make. One of Hunters classic traditional poems, Friend of the dickens, focuses on a parable-like confrontation of good and evil. Ran into the devil, babe, he loaned me 20 bills. Spent the night in Utah in a cave up in the hills... Ran down to the levy but the devil caught me there. Took my twenty dollar bill and vanished in the air... horrific wildcat down is another poem that speaks of good and evil, although in a much more ironic sense. When I awoke, the Dire woman chaser Six hundred pounds of sin Was grinning at my window, Al l I said was Come on in. The skirt chaser came in, I got my cards We sat down for a game. I cut my ball over to the Queen of Spades, But the cards were all the same. The eccentric person of the poem is confronted with the mythical beast Dire Wolf, and simply invites him wrong to play cards.

The cards, however, are all the queen of spades, the card symbolic of death. So this character takes a very ironic and moony view of things in the face of mortal danger.         Another of Hunters themes that transcends the traditional/contemporary division is am great(p)uity. He uses uncertainty in many instances to throw away a spin on his lyrics and lea! ve them open to interpretation. cardinal poems that make use of this theme are St. Stephen and cosmic Charley. ...Did it matter? does it now? Stephen would answer if he only knew how Did he doubt or did he try? Answers aplenty in the bye and bye... ...Can you answer? yes I can, but what would be the answer to the answer man?         --St. Stephen Say youll come back when you can Whenever your airplane happens to land         --Cosmic Charley In both instances there are undirected characters and no clearly define ideas. Neither Charley nor Stephen have big by-lineions or answers, but both are seekers in the quest for knowledge.         The final transcendental theme that Hunter uses is business firm. There are three main character types in his home poems: Those seeking their homes, those who are already at home, and those who will guide the seekers to their homes. A good example of this is the traditional Tennessee Jed: ...You know you entrap to wind up unwarranted If you dont head back to Tennessee Jed. Tennessee, Tennessee Aint no place Id rather be. Honey, wont you carry me Back to Tennessee. In this instance, Jed plays the region of the seeker or wooly-minded character, and the singer is his guide, warning him that he will die if he doesnt head home. Jack Straw also makes use of the home theme: ...Aint no go to sleep will give us rest, man You keep us on the run. Unfortunately, this incapacitated character has no guide to take him home. Outline I. Main theme divisions         A. Themes used in a traditional vein         B. Themes used in a contemporary vein         C. Themes that transcend traditional/contemporary boundaries II. Traditional themes         A. gaming                 1. Candyman                 2. Loser         B. pop off         C. Love         D. Labor    !      E. Conventional wisdom                 1. Greatest Story Ever Told                 2. Uncle Johns Band III. Contemporary themes         A. Hunters experience with the glad Dead                 1. Truckin                 2. New Speedway Boogie         B. Friendship                 1. Built to Last                 2. Brokedown Palace                 3. Foolish Heart         C. Nostalgia         D. Hope IV. hidden themes         A. Light/Dark or opposite                 1. Good/ atrocious                         i. Dire Wolf                         ii. Friend of the Devil                 2. Light/Dark                 3. Order/ snake pit                         i. New Speedway Boogie                         ii. Dark Star         B. ambiguity                 1. St. Stephen                 2. Cosmic Charley         C. Home                 1. Tennessee Jed                 2. Jack Straw Bibliography 1. Bubelis, Wally. Home. (Thematic Essay) hypertext transfer protocol://arts.ucsc.edu/gdead/agdl/home.html 1995. 2. Dead, Grateful. American Beauty. Warner Bros. Records, 1970. 3. Dead, Grateful. Built to Last. Arista Records, 1989. 4. Dead, Grateful. Dead Set. Arista Records, 1980. 5. Dead, Grateful. Go to Heaven. Arista Records, 1980. 6. Dead, Grateful. In the Dark. Arista Records, 1987. 7. Dead, Grateful. Terrapin Station.! Arista Records, 1977. 8. Dead, Grateful. Workingmans Dead. Warner Bros. Records, 1970. 9. Dodd, David. Ambiguity as a Philosophical Stance in the Lyrics of the Grateful Dead. (Essay) http://arts.ucsc.edu/gdead/agdl/ambig.html 1997. 10. Dodd, David. The Annotated Grateful Dead Lyrics: A Website. http://arts.ucsc.edu/gdead/agdl/#songs 1997. 11. Dodd, David. Light and Dark in the Lyrics of Robert Hunter. (Thematic Essay) http://arts.ucsc.edu/gdead/agdl/light.html 1997 12. Scully, Rock, and David Dalton. musical accompaniment With the Dead: 20 Years on the Bus With Garcia and the Grateful Dead. Boston: Little, Brown, & Co., 1996. 13. Troy, Sandy. tribal chief Trips: A Biography of Jerry Garcia. New York: Thunders Mouth Press, 1994. If you want to get a full essay, order it on our website:
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